Three decades later that's still guaranteed. They didn't, and a good time was had by all. How's this for decorum? When No Way Out opened in Irish cinemas the listings in the newspapers kindly asked 'patrons' not to reveal the surprise ending. You'll get plenty of the latter here, and a lot more besides. As the joke goes, if honesty is the best policy, then it follows that dishonesty is the second-best policy. Arbitrage is effortlessly slick, packed with bedroom, boardroom and courtroom tension and makes viewers question their own integrity and just how far they'd go to stay one step ahead. In his feature debut, writer-director Nicholas Jarecki made the movie that Wall Street: Money Never Sleeps should have been, bringing the best out in Richard Gere as the hedge fund magnate whose life goes into freefall. It manages to be both very funny and very moving - before becoming a little scary. Unlikely couples always make the screen's best ones and Luchini and Bonnaire are superb in this story of loneliness, longing and the desire to start over. She doesn't realise he's not the psychiatrist who practises next door, and he's too interested to point her in the right direction. Tax lawyer William Faber (Fabrice Luchini) leads a dull life in his office-apartment, until the day Anne Delambre (Sandrine Bonnaire) walks in. With rarely a pause for breath, it charges through the nocturnal demi-monde - the thrill being that you really don't know what's going to happen next.ģ) Intimate Strangers (Confidences Trop Intimes) (2004) Those who like their movies rough and gritty will have plenty of opportunities to get some dirt under their fingernails watching Good Time. It sees Robert Pattinson living the desperate hours in a film determined to wring the most out of its 'one crazy night' set-up. A brilliant screen pairing that deserves you as a partner in crime.Įnthralled by Uncut Gems on Netflix? Then try this diamond from its writer-director duo Benny and Josh Safdie. Audiard cranks up the tension - sexual and otherwise - until you can't decide who's hustling who, or if they're both in it for more than a financial pay-off. What seems on the surface to be a story of polar opposites (Emmanuelle Devos and Vincent Cassel) finding solace in each other goes right off in the opposite direction as A Prophet (Un Prophète) director Jacques Audiard probes just how far people will go to get what, and who, they want. Please review their details and accept them to load the content.

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Hidden Assets starts on RTÉ One on Sunday night, but if you need more tension in your viewing life, then.

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